Monday, March 31, 2008

Serious Political Discourse


The bargain bin can be a wonderful thing - forgotten movies from childhood, current movies hugging the middle of the road and movies you'd never own if they weren't $2 all meld together in this beautiful mixture of cinematic guilty pleasure and serious indictment of the film industry as a whole.


Fishing through the bargain bin, I ran across "The Running Man," the cheap-o 80s sci-fier about the riotous Ah-Nuld Schwarzennegger in a futuristic game show where he's hunted by a redneck with a chainsaw, a spandex-clad old guy with a flamethrower and a fat, opera singing rapist dressed as a Christmas tree who shoots electricity out of his ass. Seriously, watch the movie. It's terrible, but it's classic bargain bin. Needless to say, I snatched it.


This was a reissue from a couple years ago (2006, according to the box) and it's got decent special features on Ah-nuld and how they glued Christmas lights to a guy to make him look threatening. Seriously, watch the movie.


One special feature caught my eye, however. It was called "Down the Rabbit Hole" or some such. I clicked on it expecting a featurette on the story or the history of gladiatorial combat, but instead got a 45-minute documentary on the loss of civil liberties in the United States after 9/11.


Seriously, watch the movie.


Folks from the ACLU, respected professors from lauded institutions of higher learning, constitutional attorneys and political activists all decided to participate in this documentary which was created solely as a special feature on The Running Man. I was surprised, and then confused. First off, The Running Man is a political movie much like Batman is an exploration of multiple personality disorder. It's politics are very small and the whiz-bang is really big, by design. It wasn't made as a serious political statement and everything from the packaging to the special features to the disk itself screams "action flick," not "political expression." And then you have the 45-minute documentary.


Here's the conclusion I reached - somewhere in the depth of Columbia/Tri-Star Home Video sits a man with long facial hair and some manner of leather sandal on his feet, spending most of his working day on The Daily Kos and Atrios. And he, apparently, has some sort of power, saw an opening, and took it. You can't really blame him (as my politics tend to line up with the views of the documentary) but you have to believe someone had an opportunity and made a call. And there you go.


Just watch the movie.

Picture Monday - A Viking and an Emporer


I don't write enough about how cool the Grand Island Film Festival (http://www.gifilmfest.org/) is. I'm the president of the darn thing, and it's been an education in a number of things, from paperwork to working with movie studios to trouble shooting. On this particular day, it was how to tie decorative grapes to a toga without having it fall off.

We screened "Animal House," and to be honest with you, lost money on the deal. I don't care (OK, I care a little, but I'm not stressing too bad). It was an absolute blast, and yielded one of the finest quotes I've heard in quite some time.

Mid-way through the film, Chad (the dude in the viking hat) mused that "I try to be Bluto, but in the end, I know I'm flounder." Me too, brother. Me too.

We're showing Gone With The Wind on April 15.

Sunday, March 30, 2008

The Wicker Comedy Continues

In order to give the full effect of this next bit, you need the background here:



The Wicker Man, the Niel LaBute re-make of the "classic" horror film starring Christopher Lee came out about two years ago to collective yawns. The thing of it is, the movie, which I finally saw about two months ago, missed "interesting failure" by a good ring and a half. A nip or a tuck here, and I would respect LaBute, one of the most interesting voices currently working on stage and screen (he seems to either REALLY hate women, or REALLY hate men who hate women, I haven't decided which yet, but misogyny is his topic and dammit, he tackles it) for giving voice to something different, while I laughed at it behind his back.

The movie is wide the mark, however, and it deserves our laughter. The scenes above are funny out of context, but in context they don't lose their comedic punch. I can't think of a situation where Nicolas Cage punching a woman while wearing a bear suit would elicit anything other than giggles from an audience.

Which is why I was so delighted that the Internets have yet to let The Wicker Man die. There's comedy to be mined! Hence, this video:



Brilliant. Walking on Sunshine was an inspired choice.

It makes me want to cut my own comedy trailers out of serious flicks. If I have time, I'll give it a shot.

Thursday, March 27, 2008

SEX - Now that I have your attention...

Ghosts are real, and I found one yesterday in the form of an "In Transit" sticker.

The sticker was attached to a deep blue 1998 Pontiac Grand Prix (I know, because I have the same model in a different color). At the wheel of the parked car was a girl, no older than 17, on a cell phone. Even with a fairly heavy tint on the windows, it was clear she was crying.

When you're sitting in a parking stall outside a health clinic like the one I'm on the board of, tears staining your cheeks, one of two things is happening - you're either crying because you just got a positive pregnancy test, or you've tested positive for a disease. In my 9 months on the board of the Central Health Center, a clinic that provides low cost health services to women including pregnancy and STD testing, I've seen young women and men sitting in the parking lot, some talking, some obviously waiting for their friends or lovers to come out with condoms or test results. I'd like to say you can see the anticipation on their faces, but you can't. Often times, they're a blank slate.

Which is why I'm haunted, because this young woman's life had obviously just changed dramatically. I'd put money I don't have on the idea that a trip to the hospital, scowling parents in tow, is no more than 9 1/2 months away for her. Afterwards, whether it's a disease or a child, things will be different. You could almost hear the doors closing on her future.

Which is one of the big reasons I tell people politics matter. For a lot of people, politics are a theoretical thing - something to follow like a game, track like a horse race or avoid like the plague. It's so easy to hear statistics - a trillion dollars, three million e-mails, 4,000 dead - and write it off as something either out of your control or existing in some theoretical world you cannot penetrate even if you were concerned. It's easy to pass off or get caught up in the wrong thing. It's criminally easy to forget the human impact when considering politics.

For the past 7 years, this country has insulted its parents and robbed its children of sex education, opting instead for the entirely ineffective and religiously flavored abstinence only approach. The only way, our kids are told, to avoid pregnancy and disease is to avoid sex all together, something less than 30 percent of graduating high school seniors do. If you subtract those in the AV club who don't abstain by choice, the number gets even smaller. Nothing is going to stop one of the strongest urges the human brain produces from taking place among a population that can be irresponsible and impulsive. It's like throwing a war and expecting companies not to cash in.

We cut funding for clinics and nonprofits who care to address the problem. More over, we shun them from the community and make them feel "dirty" for caring enough about our kids to talk to them, frankly and truthfully about a difficult issue.

Any education that ignores the basic facts that high school students are very likely to have sex, and then throws bad information at them about contraception is like training soldiers how to avoid bullets instead of how to fire a gun. STDs are exaggerated, condom use is discouraged or ignored, which is basically the same thing, and our children graduate high school with more than 40 percent, according to recent statistics, believing you cannot get pregnant the first time you have sex. That's not the most embarrassing stat - that would be one in four, ONE, IN FOUR, girls graduates high school with an STD. That is goddamned unconscionable. And, there's a human toll that's easy to gloss over.

There are thousands of girls in cars, crying their souls out, wishing they'd made a different choice, wishing they'd used a condom, wishing they'd never met the boy who, hours earlier, they would have bled and died for (as is they way with teenage hormones). Mothers, terrified of the lives growing inside, them - disease growing on young organs that will never go away - confusion about what information is real from the government sponsored programs - it's all very real.

But it's the In Transit stickers that haunt me. This girl, crying to someone on a phone in a dark blue Grand Prix in the parking lot of a health clinic that cares enough to offer services, she had just gotten that car. I imagine her squealing with delight when the dealer or her father or mother handed her the keys. I imagine her first ride in that car, just a few days or weeks ago, the joy and freedom she must have felt. The roads were her playground and the world was her oyster and now that front seat is the site of a moment that is taking her life in a direction she didn't want it to go. A direction that could have been prevented if information had flown more freely, or if questions without fear of losing funding. A direction that she cannot change. My heart bleeds for her and the fact that it was done in my name, with my money, chips away at my soul.

Kids need information, not barriers to information. They need guidance, not black and white answers to multi-hued questions. They need access, not roadblocks.

We should be ashamed of ourselves for electing people who do this. I am ashamed.

And haunted.

Tuesday, March 25, 2008

Like Father...


It took a $22 trip to Best Buy to bring about a really cool moment for me today.
"The Mist" hit DVD on Tuesday, and thought, after a week of contemplation on the topic I realized I hated the ending, everything but the last 10 minutes were cracker jack and completely worth watching again and showing to friends. The two-desk special edition with the die-chrome cover went through the scanner and right into the backseat of my car for alter transfer to my DVD collection.

While I usually don't pick up my two daughters from day care, but today was the exception. I tossed the baby and the four-year-old in the seat, and immediately the oldest picks up "The Mist" and asks if she can watch it. I said, probably not as it was full of monsters.

"I love monsters," she said.
"Probably not these monsters. They're really scary."
"I won't be scared."

She sits for a minute, studying the back of the box.
"Is this a giant spider?"
"Kind of."
"What does it do?"
I explain "The Mist" as best I can to a four-year-old, and am peppered with questions as we pull into the driveway, open the door, unhook the baby and start to prepare dinner. She's all over this concept wanting to know about the boy on the cover and if the monsters got him ("no, the monster doesn't get him." "Does he die?" "Yes, he dies." "How does he die?" and on and on). To be honest, I don't sugarcoat the thing. If she wants to know about the nasty little monster movie I bought, I'll be happy to tell her. It's the same courtesy my parents extended me.

I remember, quite clearly, being a little older than my daughter is now, and grilling my parents about the horror movies they watched (coincidentally, the horror movies I now watch and make fun of). "Creepshow," "The Cat's Eye," "Bloody Birthday," "The Twilight Zone Movie," "The Dead Zone," "Maniac," I remember vividly the boxes in the video stores teasing blood and promising more, and my parents telling me about the ones they watched, though I'm pretty sure they looked at each other with slight trepidation over what, exactly to tell me. I remember being put to bed in a sleeping bag as my parents and their friends drank beer and watched bad horror movies, something I've done to the kid.
The descriptions of horror must have taken route in my brain, because up until 5th grade I was obsessed with horror movies - Freddy and Jason covered my notebooks at school (something that was brought up at multiple parent/teacher conferences, I'm sure), but I never watched the things. Gore scared me to the point of panic attack, but I couldn't get enough of the idea of gore or monsters or killers with bladed gloves. Having watched literally thousands of horror movies, I can tell you in all honesty it was 30 times worse in my head.
Given that background, it was proof positive, to me, that my kidd-o is a lot like me. I think I know what's going through her head, which is a rarity. She's fascinated by the horror, and as long as my wife is out of earshot, I think I'll tell her everything she wants to know - with a few edits, of course.
There's no way she's watching "The Mist," any time soon, though. We have a few miles to go before we get anything like in the DVD player during family hour.

Monday, March 24, 2008

Picture Monday - Creepy Trailer Guy


One of the parts of my job that's both somewhat demoralizing and completely fascinating is the trade shows I have to attend. The demoralizing part comes in when you realize you're spending time as a professional manning a booth at a trade show. The fascinating part comes when you see stuff like this.

What in. the. hell. were they thinking when they designed this? I have three ideas.

1) "Hey guys, lets design a mascot even worse than the Michelin Man."

2) "We want them to love the camper, so lets make him lovable! No, it won't bother people that they're living inside him. No, it's not creepy at all. Ted, look, it will work, OK?"

3) "Hey, look at what my kid drew. Let's use it as a mascot!"

It's all I can come up with, as no self respecting design person would waste ink, let alone paper on this idea.

Saturday, March 22, 2008

On a Lighter Note

Here are some videos to help get you in the Easter Mood:




And one just to...I don't know, creep you out.